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18 In Terence’s Eunuch, the young rapist is 16 years old (line 693). Otherwise it is the age of the girl that is generally specified (or implied): Menander, Hero 94 (18 years); Com. 14.26-27 (16 years); Terence, Eunuch 318 and 526 (16 years) and Phormio 1017 (15 years). (Whether the 17-year-old boy in Damoxenus 3 is. For me, and horses. I starred as a colonel of 15 Hussars!7 I could give modest help to needy Friends. He made me grow up. I paid my debt For that, though, nobly: I behaved myself. And then it happened—I’ll put all the facts Together in one tale, I’ve got the time. 20 He fell in love with a call-girl from Samos, Something that’s normal. Well as fragments from works including The Girl from Samos, The Arbitration, The Rape of the Locks, The Shield, The Sikyonian, The Man She Hated, The Double Deceiver, The Farmer, The Toady, The Harpist, The Hero, The Phantom, The Girl Possessed, and The Girl from Perinthos. Penguin Classics. 272 pp. 978-0-14-044501-5. $14.00 Plautus. Oct 10, 2013 The Girl from Samos - Menander The extravagant, phantasmagorical comedy of Aristophanes and the climate of the early 400's BC has slowly been replaced by the narrowed scope and limited range of domestic issues in the comedy of Menander.

The Kalamatianós (Greek: Καλαματιανός) is one of the best known dances of Greece. It is a popular Greek folkdance throughout Greece, Cyprus and internationally and is often performed at many social gatherings worldwide. As is the case with most Greek folk dances, it is danced in chain with a counterclockwise rotation, the dancers holding hands.

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It is a joyous and festive dance; its musical beat is 7
, subdivided into of three parts of 3+2+2 beats, corresponding to 3 steps per bar. There are 12 steps in the dance corresponding to 4 bars of music. These steps include 10 steps counterclockwise ('forward') followed by 2 steps clockwise ('backwards'). Depending on the occasion and the dancers' proficiency, certain steps may be taken as jumps or squats.

The lead dancer usually holds the second dancer by a handkerchief, this allowing him or her to perform more elaborate steps and acrobatics. The steps of the Kalamatianós are the same as those of the Syrtos, but the latter is slower and more stately, its beat being an even 4


The roots of Kalamatianos can be found in antiquity. Homer, in the Iliad, describes three performances made around the spear of Achilles that depict a dance in an open circle. The ancient Spartans had a dance called ὅρμος hormos, which was a syrto style dance described in detail by Xenophon where a woman led a male into dance using a handkerchief. Lucian states that the ormos dance was performed in an open circle and was done by young men and women. The men would dance vigorously while the women danced with modest movements.[1]

In the 19th century, this dance was called Syrtos O Peloponisios. It is believed to have acquired the name kalamatianos from the town of Kalamata in southern Greece; most Greek dances are commonly named after the villages or areas from which they are considered to have originated.[2]

Kalamatiano songs are many and popular – some of the more traditional kalamatiano songs are Samiotissa (The girl from Samos), Mandili Kalamatiano (Kerchief from Kalamata), Milo Mou Kokkino (My Red Apple), To Papaki (The Duckling), Mou Pariggile To Aidoni (The Nightingale sent me a message), Ola Ta Poulakia (All Birds), etc. An especially haunting example of the kalamatianos, Mekapses Yitonissa (Μέκαψες Γειτόνισσα), was recorded for the National Geographic Society's groundbreaking Music of Greece album, released in 1968.

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The Kalamatiano is played at special occasions such as Easter and Weddings.

Contemporary influence[edit]

The American jazz composer, Dave Brubeck, well known for his exploration of asymmetrical rhythms in his own music, used a variant of the rhythm of the Kalamatianos for his Unsquare Dance, though the measures are divided into two groups of 4 followed by 3 beats rather than 3 followed by 4.

The 1960s popular singer, formerly known as Cat Stevens, wrote and performed a song, Ruby Love, in 7
time with a distinctive Greek flavour. Stevens, who would later convert to Islam, has paternal Greek Cypriot roots. Near the end of the 2002 film, My Big Fat Greek Wedding, the cast dances the kalamatianos to the song 'Ωραία που είναι η νύφη μας' (Orea Pou Ine I Nifi Mas/How Wonderful Is Our Bride) at Ian and Toula's wedding reception.

Song lyrics[edit]

Milo Mou Kokkino a traditional kalamatiano song from Western Macedonia.[3]


Μήλο κόκκινο, ρόιδο βαμμένο (×2)
Γιατί με μάρανες το πικραμένο 1

Παένω κ’ έρχομαι μα δεν σε βρίσκω (×2)
Βρίσκω την πόρτα σου μανταλομένη 1

Τα παραθυρούδια σου φεγγοβολούνε (×2)
Ρωτάω την πόρτα σου, που πάει η κυρά σου; 1

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Κυρά μ’ δεν είναι ‘δώ, πάησε στην βρύση (×2)
Πάησε να βρει νερό και να γεμίσει 1


My red apple, my scarlet pomegranate,
why have you made me wilted and bitter?

I come and go, but cannot find you
I try your door, and it's always locked.

Your windows are always lighted
I ask your door, 'Where is your lady?' My imac keeps shutting down.

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'My lady is not here, she is at the wellspring
She's gone to bring water'.

See also[edit]

  • Kalamatianó (music)


  1. ^Lykesas, p. 122.
  2. ^Lykesas, p. 123.
  3. ^Boston Lykeion Ellinidon – Milo Mou KokkinoArchived 2007-09-23 at the Wayback Machine


  • George H. Lykesas [Γιώργος Χ. Λυκέσας]. Οι Ελληνικοί Χοροί [Greek Dances]. Thessaloniki: University Studio Press, 2nd Edition, 1993.
  • Yvonne Hunt. Traditional Dance in Greek in Greek Culture. Athens 1996

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External links[edit]

The girl from samos pdf read
  • Kalamatianos on YouTube
  • Kalamatianos on YouTube
  • Another Kalamatiano on YouTube
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